Good Old Boys

by

Randy Newman

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Listening to Johnny Cutler's Birthday, it is amazing to learn that a true masterpiece such as Good Old Boys could have been a different record and that the record that was not made is as funny, scary and heartwrenching as the one that was. The scope of Good Old Boys turned out to be much broader than was originally intended with the demos on the bonus disc and encompassed not only colorful eccentrics who inhabit the South but also its own vital history that has always been viewed (by both sides) as seperate from that of the North.

For Johnny Cutler's Birthday, the focus is entirely on the "unreliable narrarator" (a Newman motiff), his family and immediate surroundings. Many of the songs from Good Old Boys are present here; Rednecks, Marie, Birmingham and Louisiana 1927 among others. But the songs that did not make it to the released album are astonishing in how they flesh out Cutler and his wife, Marie, into two of the most tragic and strangely beautiful characters in the history of popular music.

My Daddy Knew Dixie Howell is a chilling song that begins as a drunken birthday toast to gathered friends by Cutler. He starts by promising to "tell you all the story of my life" and proceeds to eulogize his late father and the story he tells becomes more sinister with each passing verse. It's a revelation for someone who only knew of this character through Good Old Boys to discover such a complex and perceptive man. Randy Newman once stated that he felt the song Rednecks was flawed because how would this man singing the song know the names of northern cities that have been just as hostile to blacks but yet be tauted as open-minded havens by PC historians and northern liberals. Here, in My Daddy Knew Dixie Howell, Cutler is revealed to be a man intelligent enough to grasp this and be eaten alive by the unfairness of it.

Shining, a song sung by Marie, is as bleak as anything Randy Newman has ever written. Here Cutler's wife, who never spoke in Good Old Boys, addresses her mother-in-law and seems to speak for every woman who just missed the sexual revolution generation. Marie talks about enjoying her teen years as an attractive girl and laments spending the rest of her life with the same man doing the same things over and over again. The details that Newman captures here; Marie going to Augusta for a ballgame and down to Daytona for racing with the same friends that she has known since the first grade are poignant and insightful. No two songs in his entire, estimable catalogue showcase his skill for creating an entire world in just a few simple, well-observed verses any better than My Daddy Knew Dixie Howell and Shining.

Other "new" songs on Johnny Cutler's Birthday such as If We Didn't Have Jesus, Good Morning and an early version of Back On My Feet Again entitled Doctor, Doctor are all uniformly excellent as well. The intimacy of these performances is remarkable and for those interested in knowing how Newman gets from A to B they are absolutely priceless. You truly feel as if you are in the recording booth while listening to his funny, self-deprecating comments and direction between songs. The amount of thought put into what became Good Old Boys is staggering and it is such a thrill to listen to it come to fruition on this once-in-a-lifetime bonus disc.

Thank you Rhino for continuing your long tradition of showcasing some of our most creative artists and expanding our original notions of them in the process. And most of all, thank you Randy Newman for such a unique and essential body of work.