The Liberty of Norton Folgate

Release type:What's this?
studio album
First released:
May 18 2009

Overview Edit

The Liberty of Norton Folgate is the ninth studio album by the British band Madness, released on 18 May 2009. The band worked on the album for close to three years and it is their first album of new material since 1999's Wonderful. The band showcased a number of songs from the new album during three concerts at London's Hackney Empire in June 2008.

This 10-minute title track recounts the social history of a corner of east London that until 1900 was controlled by St Paul's Cathedral and as such was legally independent from its surroundings. A shortened version of the track "The Liberty of Norton Folgate" was made available on YouTube in mid May 2008. In December a boxset of the album was offered for pre-order on the Madness website; those who ordered were entitled to a digital download of the album on 20 December. Twenty-three tracks were recorded for the album, although fifteen made it on to the album to be released in May. The twelve tracks issued in the digital download leaked onto the internet on December 25, 2008.

During concerts in Sydney, Melbourne and Adelaide at the end of March 2009, Suggs stated that "Dust Devil" would be the second single off the new album; second when accounting for the 2008 release of NW5. It was released on the 11th of May, one week before the album. A third single, "Sugar and Spice" (with slightly different lyrics and intro to the album version) was released to radio in July, and on 21 July it was confirmed that it would be made available as a download single from 2 August on iTunes and 3 August from other retailers.

In November 2009 the band announced the release of a fourth single scheduled for 11 January 2010: Forever Young, a favourite of both fans and band (Madness' Chrissy Boy on the band's message board: 'a hit I think'). Apart from several remixes, one of the single formats contains Love Really Hurts (Without You), a Dangermen era cover of the Billy Ocean classic. The release was put back one week and the single was released on 18th January, becoming the second single from the album to fail to chart.

It was produced by Clive Langer and Alan Winstanley, who have worked with Madness on all but one of their albums. Recording sessions also took place in Toe Rag studios in late 2006 with Liam Watson, who engineered and mixed Elephant by The White Stripes.

The Overview appearing in this section is attributed to Wikipedia: http://en.wikipedia.org/wiki/The_Liberty_of_Norton_Folgate. Portions of this Overview may be available under the Creative Commons Attribution-ShareAlike License, version 3.0 or any later version, available at: http://creativecommons.org/licenses/by-sa/3.0/. Additional terms may apply. See Wikipedia Terms of Use for details.

This particular version Edit

Record label:
unknown
Catalog number:
unknown
Release dates:
  • May 18 2009

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5 stars A little bit more of what you like
This review can be read in conjunction with the many which have already been left for the standard single music CD edition of Madness's 2009 album The Liberty of Norton Folgate. During the recording process for the album, Madness played 3 specially filmed concerts previewing much of the album at London's Hackney Empire. The new songs were met with almost unanimous praise from the Madness fans lucky enough to be present. Now you can find out why we were so impressed with the show and the songs.

Written by Paul Rodgers "Pledge"
2 stars I'm disappointed by this album by the 'Nutty boys'
Being a lifelong fan of Madness, I bought this album regardless of the many favourable reviews in the music press saying what a great return to form this was. I was disappointed initially and I've yet to be really convinced by it any more. It gets off to an ok start but some of the bigger tracks are really weak in my opinion, particularly `sugar and spice' which sounds like some kind of poorly produced school dictionary rhyming you'd get from Kate Nash or Lily Allen, not the life poetry Madness …
Written by J. Hammond "Big John"

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