Tower Of Song: The Songs Of Leonard Cohen

by

Various Artists

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This compilation is the best in the genre of tribute albums that I have come across. The only thing lacking (and it is a black hole in terms of negligence) is a cut from Jennifer Warnes, who is the premier interpreter of Cohen's songs. Every artist on the disc shines, most especially Willie Nelson and Suzanne Vega. Nelson's rendition of "Bird on a Wire" is one of the classics of recent memory and how anyone can call Vega's interpretation of "Story of Isaac" "unispired" is not only beyond me, but belongs in another lexicon. It is brilliant and enthralling and any other adjective you wish to substitute for an synonym for great artistry.

Leonard Cohen, as a songwriter, exists on a very small playing field. Some would say that only Dylan and he could occupy the same base, in fact. Whatever one's judgement (and it always boils down to a a case of tastes, in these matters) there is no denying Cohen writes verses that are about as intellectually and poetically satisfying as anyone else around. These are not just songs, but angst-ridden tone-poems that are about real-ationships that most of us who have been through the seventies and subsequent decades can absolutely relate to.

I bought this CD when it was a mere cassette, about six years ago, and it still gets lots of play. "Story of Isaac," in particular, still strikes a nerve close to the main aorta. Perhaps to truly feel the deep import of this song, one must have a child him/herself. It ranks right up there with McDuff's reaction to the news of his family's demise in in terms of emotional impact.

If you are not up on Cohen, give this CD a try. If you are, then definitely add this to your list, and if you aren't familiar with Jennifer Warne's fine cover album, "Famous Blue Raincoat," by all means add that one to your purchase list as well.

Leonard Cohen is a brilliant songwriter. His lyrics are true poetry; a rare commodity in the world of popular music. However his "singular" style of performing can be a bit trying at times, so I really don't mind an attempt like this one. Get some talented artists together and see what they can do with his songs. Like any work of this type you will get a few high notes and low notes.

The Good:

Trisha Yearwood puts a bit too much country yodel in "Coming Back To You", but you end up believing her.

Tori Amos's sparse arrangement for "Famous Blue Raincoat" works perfectly and her delicate vocal, breathing in deeply throughout, is beautiful.(I should really think about getting some of her stuff.)

Aaron Neville gets all country on "Ain't No Cure For Love" and makes his great voice plead for a cure, which ain't forthcoming.

Willie does "Bird On A Wire " proud. Softly with guitar then organ and harmonica build up, then drums, but never changing the basic plaintive quality of the vocal.

Peter Gabriel's version of "Suzanne" is haunting and true.

Great Billy Joel on "Light as a Breeze." He makes this one his own.

"Story of Isaac" is a tough song to do convincingly, but Suzanne Vega approaches it with simplicity and intelligence.

The Bad:

Don Henley put more emotion into "Dirty Laundry" than he did on "Everybody Knows."

Sting and The Chieftains make "Sisters of Mercy" sound like an outtake from BELLS OF DUBLIN (I liked that one) this one, not so much.

"Hallelujah" by Bono is absolutely awful. I really thought Bono would make this a classic; instead he transforms this transcendent song into bad techno.

"I'm Your Man"- Elton John Trying waaay too hard.

Jann Arden's take on "If It Be Your Will" isn't really bad, just forgettable, something a Cohen song really shouldn't be.

Martin Gore makes a mistake with the synths on "Coming Back to You" but his vocals almost push it into the good side...almost.

So more good stuff than bad stuff and the good stuff will make it worth your time if your a Cohen fan.