Hoodoo

by

Alison Moyet

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Four years after her smash hit cover of Ketty Lester's "Love Letters", Alison Moyet heralded the release of her "Hoodoo" album with the searing "It Won't Be Long." It might have earned a Grammy nomination and critical kudos but it scared the bejaysus out of inane pop-pickers on playlist panels. So much so, in fact, that the two subsequent (and more commercial) A-sides from this set would be utterly sidelined.

Alison Moyet had clearly found her voice and a clear artistic vision. "Hoodoo" at once embraced her soulful roots, her pop sensibilities, a taste for shouty blues/rock and her unrivalled talent for smoky chanson. "Footsteps," with its soulful horn section and superglue hooks, slinkily opens proceedings before "It Won't Be Long" comes along to strip emotional paint. Next is the jewel in this album's crown, the hauntingly beautiful "This House." Imbued with longing and loss, it never once falters into saccharine balladry and its failure to become a global smash remains a mystery. It remains one of the very finest songs of Moyet's career. Elsewhere, the lilting "Wishing You Were Here," the skittering electro-reggae of the gorgeous "Back Where I Belong" and the strident pizzazz of the funky title track keep the standard at a very satisfying high.

Overall, "Hoodoo" is a very dark album. The feminist call-to-arms of "Rise" is bedded in a swampy arrangement and "My Right A.R.M." is a dense mood-piece. Closing the album is the gospel tinged "Find Me," which has `modern standard' written all over it.

It is a mark of this album's strength that, all these years later, it still packs a punch. True, some of the arrangements and production are `of their time' (`Never Too Late,' for instance) but the quality of the performances and the writing remains awe-inspiring. It is fair to say that the real Alison Moyet emerged with the release of this album. She found her voice and started to use it in fine style.