Puzzle

by

Biffy Clyro

Edit

Many bands these days seem to get hyped up on there first album, only to get slaughtered by the press on their second and then forgotten about by their third effort. Biffy on the other hand, have gradually floated to the surface, building up a hardcore contingent of fans along the way. `Puzzle' looks set to propel the band into the mainstream.

Puzzle is the 4th album to come from Biffy's locker. I came across them due to my brother being obsessed with them from day one. I really liked Blackened Sky and went to see them a number of times. When `Question and Answers' and `Infinity Land' came along I didn't appreciate them at the time because I felt they were just trying to over-complicate things for the sake of it. Over the last year though, I have listened to these albums more and now find them refreshingly different from what was out at the time. This made me wait for Puzzle with great anticipation...

With Puzzle it is like they have completed the full circle from when they began, and then stepped it up a gear. To break this down; with their first album it was the accessible indie/rock songs such as `27', `57' with some signs of prog in `Convex concave', which showed hints of their potential early on. The second album saw them exploring their guitar sounds and song structures more. While the 3rd album expanded their array of experimentation even more, through vocal harmonies, etc. Puzzles' roots clearly are from their first album, as they just wanted to go back to basics and make an album for the fun of blasting out a mixture of all out rock with acoustic masterpieces. Although the intro to `Living is a problem because everyone dies', along with numerous other points in the album, shows that they have taken bits from the two previous albums to put the `we haven't forgotten the progress we've made on the last two albums' stamp on some of the songs.

This is one of those albums you'll either love or hate, leaving no middle ground. If you do love it, it will make every other record in your collection seem inferior for a month or 6. `Puzzle' can be split into 3 large pieces; Rock, acoustic and rock ballady indie epic type songs. The main rockers are the singles; `Semi-mental' and `Saturday Superhouse', both are all out, brilliant sing along tunes. The title `Semi-mental' does not do the song justice as it is `FULLY MENTAL!'. The acoustic songs end the album with `Machines' and `drop it'. Listening to the lyrics in `Machines' its one of those ones that everyone can relate to at some time in their life. ie - not appreciating what they have and how lucky they are etc. Drop it on the other hand has got a kind of slow country feel to it; would be interesting to see if they took that sort of direction in the future. The last category is the sweeping, epic, rock ballady songs such as songs ending with /15ths and my favourite song on the album `The conversation is....' The easy comparison can be made to the Foo Fighters, but the reality is these are great songs, which definitely can be distinguished as Biffy's own.

This really is a great album and its almost as if Biffy knew when they were writing it that this would be the one that made them big with lyrics like - `looks like we made it' from `A whole child ago' and `This is the one' from `Now I'm everyone'. Its almost as if they're trying to send subliminal messages to people, to brainwash them into loving the album..................well it worked for me anyway!

You know how Oasis CD's always sound big and urgent, like something great is going to happen? There's a lot of that here, and unfortunately nothing really does. "Folding Stars" is the best example of that, big guitars and the lead up to the multi-harmony chorus . . . that just isn't there. "Dust Dances" is the slow burner type that sounds promising, but as the band gets into it they keep stretching lines out looking for something to click that doesn't quite happen, it all sounds like the lead up to the passage they were looking for and never found. "Saturday" goes against their sound, it's too fast and loud, and again never quite gets to a memorable hook.

A very frustrating CD, because I liked their sound and voices and was kind of rooting for them to really hit it. The problem is the one thing they're missing is the most difficult of all, nothing else really matters if you can write hooks. And if you can't, no amount of good noise makes up for it, because it just drains in one ear and out the other. You can learn a lot about music, but you can't learn to hit the gong, you either have it or you don't. Sorry guys.