Wrecking Ball is a 1995 album by Emmylou Harris in which she moves away from the traditional acoustic sound for which she had become known, to team up with rock producer Daniel Lanois (best known for his production work with U2) and engineer Mark Howard. The album has been noted for atmospheric feel, and featured guest performances by Steve Earle, Larry Mullen, Lucinda Williams and Neil Young, who wrote the title song.
The main thing that has always been interesting about Emmylou Harris is her choice of material. She has written and co-written some good songs ("Boulder To Birmingham", for example), but succeeds primarily as an interpreter. This album can be singled out not only for its interpretive qualities, but for the incredible atmosphere created by producer Daniel Lanois. The recording has a similar dark, introspective ambience familiar from Lanois' work with Bob Dylan, and it works wonderfully with these…
The main thing that has always been interesting about Emmylou Harris is her choice of material. She has written and co-written some good songs ("Boulder To Birmingham", for example), but succeeds primarily as an interpreter. This album can be singled out not only for its interpretive qualities, but for the incredible atmosphere created by producer Daniel Lanois. The recording has a similar dark, introspective ambience familiar from Lanois' work with Bob Dylan, and it works wonderfully with these songs.There are no weak track on the disc. High quality songs by Neil Young and Bob Dylan ("Every Grain of Sand") are here along with lesser known gems by Lucinda Williams ("Sweet Old World") and Steve Earle ("Goodbye"). However, for this listener, the songs penned by Lanois himself are the real high points. All three are unforgettable. "Deeper Well", a collaboration with Harris, will haunt the listener long after a single hearing. These songs are nothing short of brilliant and deserve to be known by all interested in any kind of contemporary music.Many of the songwriters featured on this recording participate in the performances as well (Dylan, is of course absent, but it is hard to imagine his song being any better than it is here).An indispensible CD.
This album is not so much an Emmylou Harris album as it is a Daniel Lanois. Problem with the latter is that once you've heard one of his productions you've heard them all. Just listen to Willie Nelson's Teatro, and you'll agree. This is sad, because it doesn't do the great Emmylou justice. If you are buying your first Emmylou album, don't get this one. and, by the by, Steve Earle's version of Goodbye is not to be missed either, one of the best songs ever written.
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