The Way We Walk, Volume Two: The Longs is the fifth live album by British band Genesis and was released in 1993, having been recorded during their 1992 tour for We Can't Dance. The album's title refers to a lyric in two songs, "I Can't Dance" on the previous volume and "I Know What I Like" on this one. It is also the final full-length Genesis release to feature Phil Collins before his amicable 1996 split from the group.While its companion piece, the preceding The Way We Walk, Volume One: The Shorts contained the band's recent pop hits, The Way We Walk, Volume Two: The Longs focused on the longer songs performed during this period. For the 1992 tour, Genesis performed a "new" medley of their old songs - Dance on a Volcano/The Lamb Lies Down on Broadway/The Musical Box/Firth of Fifth/I Know What I Like (In Your Wardrobe) - which replaced the "Cage" medley. Perhaps the most notable feature of this piece was Daryl Stuermer's performance of the Firth of Fifth guitar solo which drew praise from the other band members on the DVD commentary track."The Old Medley" appeared on both this album and the DVD of the Earls Court concert. This was in marked contrast to the DVD of their 1987 Invisible Touch Tour which omitted, to the dismay of many fans, the "Cage" medley, even though it was performed.The Way We Walk, Volume Two: The Longs reached #1 in the UK and #20 in the US upon release.
Although technically brilliant,my one complaint as with most "live" albums is the tracks do not run in the order as they are played in concert,however that aside,"drum duet" leads you up a blind alley,that is all it is ,unlike the drum duet in the "invisible touch " tour which stormed into Los endos.The old medley is terrific,with all the instruments sounding loud and clear,the lead guitar in particular,from dance on a volcano,musical box and the magnificent firth of fifth and with astounding dr…
Although technically brilliant,my one complaint as with most "live" albums is the tracks do not run in the order as they are played in concert,however that aside,"drum duet" leads you up a blind alley,that is all it is ,unlike the drum duet in the "invisible touch " tour which stormed into Los endos.The old medley is terrific,with all the instruments sounding loud and clear,the lead guitar in particular,from dance on a volcano,musical box and the magnificent firth of fifth and with astounding drums this part of the track is the greatest.Finishing the medley with I know what I like is a master stroke,reminiscent of their encores of concerts past.Driving the last spike,well I did`nt warm to the album version till I heard this superb live version ,with the "driving" guitars and topped off with magnificent vocals ,another masterpiece.Domino, as each tour comes and goes, this song ,like a good wine, improves with age.Like I said it`s dissappointing the tracks don`t run as the concerts did but you can always get the video.
Genesis were a great live band and have produces some truly memorable live albums, (notably Seconds Out and Three Sides Live), but this alas isn't one of them. This album is the longer, more self-indulgent tracks from their live set and whereas Volume 1 (the shorts) is vibrant, this one lacks energy. Chief culprit is the easy listening, mellow chords style of guitar playing Daryl Stuermer, which lacks focus and is strangely out of place in this English rock band. Daryl's playing on Firth of Fift…
Genesis were a great live band and have produces some truly memorable live albums, (notably Seconds Out and Three Sides Live), but this alas isn't one of them. This album is the longer, more self-indulgent tracks from their live set and whereas Volume 1 (the shorts) is vibrant, this one lacks energy. Chief culprit is the easy listening, mellow chords style of guitar playing Daryl Stuermer, which lacks focus and is strangely out of place in this English rock band. Daryl's playing on Firth of Fifth robs an excellent piece of direction and purpose. Don't get me wrong, he can play; on Three Sides Live we can hear a talented guitarist at the top of his game, but that performance serves only to thow this one into sharp relief.Phil Collins is also a great performer and he can still bash out a beat better than most, but it seems as if he's a little embarrassed by some of Peter Gabriel's quirky lyrics and sings them in a way that suggests that he'd rather get them over with.This album is a disappointment I have to say, even Tony Bank's keyboards on The Musical Box, just when they should be shaking your fillings loose fail to quite deliver and one is left frustratingly unfulfilled.So a considered three stars for an album that could and should have been better.
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