Because it came right after Seaman's Buenos Aires and Sasha's Ibiza, I expected this to be a very trancy GU set...Boy was I wrong. John Digweed obliterates the GU formula with a progressive house mix that has become MY FAVORITE CD in my collection. I have always liked trance over house, although I like them both, but this is an incorporation of both.
Hong Kong has the seamless beat of Tenaglia and the breakdowns and buildups characteristic of his partner-in-crime, Sasha. However, I think that the reason some people are bored by this set is because the beats and breakdowns are very subtle when compared to DJ contemporaries. Underworld's mellow "Cups" is the perfect track selection for the opening of this GU. "The Baguio Track" and "Music Saved My Life" are now played out, but the manner in which Digweed mixes them is absolutely brilliant. CD1, in fact, is the best electronica mix I own to date.
CD2 does not have the track selection highlights that #1 does, but it is a more continuous mix in terms of beat and tone. This is one of those CD's that needs to be listened to all at once to fully appreciate it. Diggers weaves a dark, wicked beat into the funk grooves on this CD2, and you will wish that you were grooving at Twilo with him when this mix sucks you in. When I read the sleave notes on the back of a GU, they sometimes seem a little too overstated. But the "DEVIL'S TRANCE and ROBOT FUNK" are two perfect ways to describe Digweed's Hong Kong mix. However, if you are new to trance or even Global Underground, do not get this mix as your first. Trance and house, like opera, call for an acquired taste, and I can see how some electronica newcomers might be bored by this release. Check out GU: San Francisco, Athens, or Carl Cox before you appreciate the proficiency and ear candy of this gem.
But I would argue that the highlight of this mix is the mix itself. Electronica aficionados know that Diggers is neither pure trance nor house (Check out Bedrock). Rather, he has embraced progressive house, of which he is the master. This is the first of its kind in the GU series, but it will not be the last. Emerson's Uruguay and Seaman's Cape Town seem to parallel Hong Kong more so than earlier GU releases. Whereas Sasha's Ibiza set is the future of trance, Digweed's Hong Kong set is the future of progressive house. If you liked Tenaglia's Athens set or Carl Cox's mixes and you have a knack for trance, do yourself a favor and put this masterpiece in your shopping cart.