American V: A Hundred Highways

by

Johnny Cash

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I'm appreciative of the one reviewer so far who didn't give this an obligatory 5 stars, and suspicious of those that did. So why the full 5? Because, this is one of the most quietly, powerful albums I've heard all year & because it's so personal sounding.

To these ears, each American album had something to set it apart from the others & if I were to characterize this (hopefully) latest installment, I'd say A Hundred Highways is the most lonesome sounding of the lot. The sound of a man alone. Stripped of youth, health & any illusions.

All of the records in this series could be considered sparse in terms of production & accompaniment. Producer Rick Rubin acts more like a still photographer trying to capture the moment, rather than pull any strings. Which is one reason why they've all been good. He just let Cash be Cash. And in terms of all their previous work together I have to say, Highways is the most low key. It's also one of the most initimate. No Fiona Apples moaning in the background. No flashy covers like "Rusty Cage" or "Hurt". No frills at all. Just that voice & maybe a little acoustic guitar & organ. As he's so often proved, Rubin has good taste & this album is a far cry from some sort of open casket funeral.

"Help Me" starts things off & the fragility in Cash's voice cannot be denied. For some this isn't easy to take. The song is a plea & the end result is more heartbroken than desperate. "God's Gonna Cut You down" is easily the most rousing number on the album & Cash's voice comes across like thunder that is soon to die down in the distance.

As many have pointed out "309" is the last song he wrote. As any fan knows, The Man In Black was fond of train songs & it serves as a fitting epitaph, completely void of any self pity. It's a song about acceptance rather than resistance. One listen to the Hank Williams cover, "Evening Train" & its not hard to tell what inspired it. Perhaps Cash tossed in his own version just to point that out.

Where Americans III & IV feature covers from the likes of Nine Inch Nails & Depeche Mode, any attempt to reach a new fan base is laid to rest in choices like "Read My Mind" & "Four Strong Winds". Gordon Lightfoot's classic is typical AM fare while "Winds" is mostly familiar to fans of Neil Young. For my money, Cash steals them both for his own, bringing a gravitas that lends each a new meaning. And though I'm not a particularly a Springsteen fan, he's always seemed tailor made for Cash. Further Up The Road ranks up there with his classic take on Highway Patrolman. As for things like, "Rose Of My Heart", the conviction of Cash's delivery puts to rest any fears of Hallmark sentimentality.

As the song self-depricatingly suggests, Cash was indeed a "legend in his time "& this album is best thought of as a quiet, meditive coda to a career that began with the immortal line," I shot a man in Reno just to watch him die". True, the ravages of illness are apparent & some people just won't be able to get beyond that. But if you're able to, you'll be rewarded.