Kiri Te Kanawa

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Born:
March 6, 1944, she's 68 and New Zealander.
Birthname:
Kiri Janette Te Kanawa.
Snapshot:
An Artist with 69 releases, and credited 7 times on others' music. 130 collaborations.

Biography

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Dame Kiri Janette Te Kanawa, ONZ, DBE, AC (born 6 March 1944, Gisborne, New Zealand) is a New Zealand soprano who had a highly successful international opera career between 1968-2004. Possessing a warm full lyric soprano voice, Te Kanawa sang a wide repertoire that encompassed works from the 17th to the 20th century in Italian, French, German, Russian, and English. She particularly excelled in the works of Wolfgang Amadeus Mozart, Richard Strauss, Giuseppe Verdi, George Friderich Handel and Giacomo Puccini.

Te Kanawa's voice has a vibrant but mellow quality that is ample in size without being overly heavy or forced. Although music critics have consistently praised the freshness and warmth of her voice, she has been at times criticised for her interpretations; with some critics feeling her performances lack vibrance, animation, and original expression. Nevertheless, the sheer beauty of Te Kanawa's voice made her one of the leading operatic sopranos internationally of the 1970s and 1980s. She found particular success in portraying princesses, noble countesses and other similar characters on stage, as her naturally dignified stage presence and physical beauty complimented these roles well.

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Genres

Opera, Easy Listening, Pop, Classical, Musicals. Vote on Genres

Discography

76 releases – 69 under her own name and 7 credits on others' music Edit
Collaborations, Groups and Family
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Kiri Te Kanawa

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In the News

Dame Kiri's No Whizz-Bang

May, 21 2010

The many recent operatic pop performers credited with introducing the art form to a broader cross-section of the public have faced criticism from an operatic clique disinterested in the genre’s crossover potential, including most recently, outspoken soprano Dame Kiri Te Kanawa. Dame Kiri is keen to use her status to find opera stars of the future by launching her own Kiri Prize, but she’s quick to dismiss any claims that the endeavor bears any similarity to a certain television talent show. “You insult me by even wanting to bring it into this conversation,” she told a Radio Times interviewer. “I’m not interested. [My competition] has nothing to do with The X Factor, which I can't bear. It's whipped up for one night and it's over.” Britain’s Got Talent contestant Susan Boyle was “whizz-bang,” she said, a comment in line with previous criticisms leveled at Katherine Jenkins, Andrea Bocelli -- who she claimed had “sold out” -- and fellow New Zealander Hayley Westenra, who “doesn’t move in my world.” Commentators have described her remarks as diva-like, but it does seem that dissing reality television is a popular – and easy -- sport among musicians who are keen to separate themselves from the masses of upcoming usurpers. One thing these soundbites can assure is column after column of press, and whatever your artistic credentials, that’s never bad for your career.

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