Life on a String

by

Laurie Anderson

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Listening to Laurie Anderson's new disc, it's easy to remember her roots as an avant garde performance artist. Unfortunately "avant garde" often means challenging, intriguing music that you listen to only once. "Life on a String" has really cool packaging, marvelous sound quality, a top drawer collection of backing musicians, and a lot of interesting ideas. What it does NOT have is an album's worth of "Excellent Birds" kind of melodies you'll want to hear again in the future. The 21st Century Laurie Anderson seems to be interested in trying an even wider palette of song concepts and arrangements than usual, including a decreased emphasis on synthesizers and more on strings, vocals, and other sources. I thought I was missing the synths, but when they showed up on track six, "My Compensation," I wished they had stayed away. Besides the random electronic blips and blurps, the only character the song has is in Laurie's bland cadence of a vocal. One of the many impressive collaborators is Van Dyke Parks, but he and Laurie brought out the worst in eachother -- Parks contributing one of his generic "zipidee-doo-dah" orchestral arrangements to go with Anderson's wandering narrative on "Dark Angel." Terminally un-memorable. Then, FINALLY, things come to life on the last 4 or 5 cuts. For example, "Statue of Liberty" is a powerful meditation on a citizen's responsibility to speak out, made strong by a haunting melody, Ms. A.'s sorrowful violin, and subtle yet effective swashes of keyboard effects. If only the whole disc were made up of songs like those in the last third of the CD, this might have been a keeper.