Now, I'm not saying that LL Cool J's eleventh album The DEFinition is bad because L is too old. There are some rappers in their mid `30s that can still bring the heat (Raekwon, Jay-Z, Guru). The problem I have with the album is that its further proof that his glory days are long behind him. In fact, he's been in a downward spiral since Mr. Smith, and after he released 10, which only appealed to the ladies, I wondered if he would be able to resurrect his career.
With this album, the answer is no. Basically, editorial reviewer Dalton Higgins really hit the nail on the head with this one. This is one of those albums where the only good songs are the singles: "Hush" and the essential club-banger, "Headsprung". The latter was produced by Timbaland, and Tim also shows up elsewhere on the album, but sometimes his beats can't even save the songs, like the filler track "Every Sip" and the terrible "Rub My Back". And the beat to "Apple Cobbler" isn't even that great, not to mention that the song makes no kind of sense.
Another filler track is when R. Kelly shows up for "I'm About to Get Her". You can tell Kells produced it because it sounds like the same music he used for Twista's "So Sexy". By the way, that song is where L starts his lyrical faux pas ("that's why I'm still a teen idol like Hanson"). And then it's on to the bizarre "Shake It Baby" (which isn't even what you'd think it would be about). At the end of the third verse he says to a foe: "You burnin' me? Two words: impossible." That's one word, L.
"Feel the Beat" is fine but then it suffers from a chorus that sounds like it came from 1986: "Yes yes y'all/Feel the beat y'all/Break break y'all/You don't stop". You can even tell he's going to say that by listening to the beat. And "Can't Explain It" is the only other song for the ladies that comes close to working, but when you listen to the song you can't help but say, "It's okay, but it's no `Hey Lover.'"
It's not that LL can't rap any more, but the things he's saying on here makes the album, well, embarrassing. In fact, it's so embarrassing that I'd almost rather listen to 14 Shots to the Dome. It's good that he's had a nice, long career, but it'd be better if most of the albums in it were above-average. As you probably suspected by now, The DEFinition is only good for completing your LL Cool J collection.
Anthony Rupert