Love & Life

by

Mary J. Blige

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In the times when being a diva becomes more or less a caricature, Mary J. Blige proves with her 2003 album "Love & Life" that she is still up there at the top of contemporary r&b. On this, not less than a sixth regular album since the 1992 breakthrough debut "What's The 411", the songstress teams up again with Sean (P.Diddy) Combs, with who she collaborated on the 1994 release "My Life", still considered by many to be her best.

Times have changed but she still sounds fresh and groovy. "Love & Life" does not include such killer singles as the previous album's title track "No More Drama" or the stellar Dr. Dre-produced "Family Affair", but, for that matter, is more consistent. Starts with a unique, movie-like intro in which Mary is getting a call from P.Diddy, before Jay-Z gets his rap job done. Follows the first 'normal' track, "Don't Go", which pretty representatively sets the mood for the entire, 70-minute album.

The catchy first single "Love @ First Sight" with Method Man cleverly employs an eloquent bass line, before being replaced in loudspeakers by relaxed, summer-y feel of "Willing & Waiting". Mary's voice is again full of raw emotions, as on "When We" and "Friends", the album again offers great beats (Eve collaboration "Not Today" or "It's A Wrap"). "Ooh!" follows the footsteps of Aretha Franklin, pounding "Press On" is downright glorious, a cream of Blige, as is positively erotic "Feel Like Makin' Love". The record's end simmers down to ballad territory, in which the singer relishes, apparently drawing from her personal life.

With "Love & Life", Mary J. Blige easily outshined the other, currently more successfuly sold R&B female artists, who may produce great singles (Beyonce, Ashanti) but only uneven albums. Blige remains the real premiere urban diva of her generation and this recording will go down as one of her very best.

Mary's voice is a force of nature, and even when she's singing of joy and love, as she does on most of this album -- the tension in her voice always reveals the natural blues within. That said, the songs here are only ocassionally up to par with her artistry. The best track is the blistering ballad "Friends," and the old school call-and-response of "When We" and "It's A Wrap" are perfect hybrids of classic soul and hard-core hip-hop. The rest of the album is erratic, and saved only by Blige's torrid vocals. In a way, this album is as inconsistent as both versions of the album "No More Drama" -- classic songs burst out of runs of mediocrity. To this listener, Blige's "Mary" raised the bar for all contemporary singers, and is Blige's masterpiece. So in the tradition of Chaka, Aretha and Gladys, the singer is usually better than the song. When the two match, as it does a few times here, it's perfect soul.