Best of New Grass Revival

by

New Grass Revival

Edit

This is all that's left of the three albums the final incarnation of the New Grass Revival did for Liberty in the second half of the Eighties. Founding members Sam Bush (fiddle, mandolin) and John Cowan (bass) are joined by Bela Fleck (banjo) and Pat Flynn (guitar) for some of the most innovative and inventive bluegrass committed to disc. The dynamics of the new band made a profound impact on the band. Bela Fleck is the premier banjoist in the world. Instrumentals like his "Metric Lips" and "Big Foot" blended bluegrass and jazz into an amazingly original sound. Pat Flynn, in addition to being an expressive singer, was also a talented songwriter ("Sweet Release", "Do What You Gotta Do").

The band flirted with Top 40 succes with songs like "Can't Stop Now," "Unconditional Love," "Friday Night in America" and "Callin' Baton Rouge." But the band was not going to pigeon-holed into a restrictive format, which won them critical praise if not commercial success. [But how can you not love a band who covers an obscure Beatles' B-side ("Im Down")?]

This disc represents the New Grass Revival at their peak. By the end of the decade Sam Bush called it quits to pursue a solo career (as well as frequent session work and a stint in Emmylou Harris' Nashville Ramblers). Fleck would form the Flecktones and continue his bluegrass/be-bop/jazz hybrid. [This configuration of the band also recorded the equally exceptional On the Boulevard on the Sugar Hill label.] But this nearly 70-minute, 18-song collection does an excellent job of representing one of bluegrass music's best progressive bands. As it was stated in the liner notes, "New Grass Revival will never be accused of being ordinary." HIGHLY RECOMMENDED