The Story of Paolo Conte

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Paolo Conte

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Italians, I think, take Paolo Conte for granted. His raspy voice, playful melodies, and knowing lyrics have been part of the musical landscape in Italy for years, and many local fans have come of age listening to his music. But when a mature listener tunes in to Mr. Conte's music for the first time, that is when the magic happens.

I have seen Mr. Conte play live twice -- once here in Rome, once in Paris -- and his on-stage persona does nothing to district from the cosmopolitan musical image his recordings convey. With a dozen supporting musicians, Mr. Conte sits behind his piano in a tuxedo, surrounded by a cloud of unfiltered cigarette smoke, a stiff drink (grappa?) at his side, on the stage of a dark auditorium filled by his coarse singing voice and intriguing music. He doesn't play to the audience but rather for himself, and that is also part of the charm.

Much of that comes through with his recorded music, as well, and this "Best of" CD is, of course, the best place to start. There is a variety of musical styles on this CD, ranging from his version of tango, to jazz, to songs designed for street musicians, to tunes that at times seem to be aimed at children (I am thinking of Happy Feet). But my favorites are when he mixes those influences with his sophisticated signature cabaret style, as with Sparring Partner, Hemingway, and Sotto le Stelle del Jazz.

One side note: though I am a big fan of Mr. Conte's, and I think that anyone who buys this CD will eventually want to hear more of this man's works, I will caution against buying much of what Mr. Conte recorded before the early to mid-1990s, when he came into his prime (none of the songs here fall into that category). If you do, you will surely miss much of the roundness and polished nonchalance that makes Mr. Conte's music so appealing, though you will be reminded that even someone who makes it seem as easy as Mr. Conte does had to evolve from somewhere.