Patti's always had a way with cover songs. In the early days, she'd begin her gigs with the Velvet Underground's "We're Gonna Have a Real Good Time Together." She's always had a tendency towards wacky - I've seen her cover "Tomorrow" from Annie and "You Light Up My Life" in concerts. She's always paid homage to her musical influences - the Who's "My Generation", Manfred Mann's "5,4,3,2,1". Even Prince's "When Doves Cry". Not every cover song can be deconstructed & reinvented like "Gloria." That she pulled that off at all is a feat few would dare, little less succeed at.
I was looking forward to this set of cover songs just to see what was going on in Patti's mind. Her appreciation of rock music, heroes, and history is comprehensive. With Lenny Kaye at her side, a musical encyclopedia, it proves to be quite a collection.
Most of the criticism seems to center around the fact that she doesn't take the bait and tear the songs apart to reinvent them. While that critique is correct, in my opinion, it misses the point. There is a warmth, almost a reverence, to the collection of songs. There is true affection, and a personal connection, to each of these songs that makes Twelve unique in her canon. Never has Patti & Company sounded so relaxed, confident, and warm. There is none of her trademark urgency or stridence.
Instead, her voice shows a new maturity. When did Patti learn to sing? She practically croons Everybody Wants to Rule the World. Personally, I never much cared for the song, but find myself hitting replay for her version. Soul Kitchen has the same relaxed vibe - somehow it's much, much sexier with her singing the song than Jim Morrison's version. I also like the garbage truck story in the booklet about how it came to be included.
I'm glad that the connection between Grace Slick and Patti isn't just in my head. There actually IS a connection between these two maverick queens of rock & roll, these two non-R&B chick singers that stand alone amongst all the great women vocalists of rock. Patti's take on White Rabbit is wonderful - complete with feedback, spoken word poetry, and then the crisp bass & drum bolero.
Even more telling is the unplugged retake on Smells Like Teen Spirit. Truthfully, I never had a clue what Kurt Cobain was singing lyrically. Patti enunciates the lyrics (which are formidible.) I love the banjo, dulcimer, accoustic guitars and upright bass. The bass is the only thing that ties this version to the original. Outstanding!
Partime Paradise is also performed beautifully. I hadn't thought of that song in years, maybe even a decade. There are no out & out misses here. Just a couple where it would be impossible, by anybody, to improve upon the original - Gimme Shelter, The Boy in the Bubble, Are You Experienced?, Helpless, Changing of the Guards (OK, point well taken by the reviewer who mentioned the elimination of the background singers on Street Legal. But I've always felt Dylan is the best interpreter of Dylan - despite everybody's best efforts.)
There are also a couple that were pretty mediocre to begin with - Within You Without You, and Midnight Rider. Patti puts her stamp on them, and I find them evocative, but ultimately placeholders until she gets around to another song I like better.
As befitting a poet, it's mostly about the words and their power. Patti puts the emphasis on the lyrics with ALL the songs - she bites the liness out, enunciates, emphasizes, emotes. There are unexpected musical flourishes with clarinets, dulcimers, mandolins, banjos. This is what elevates the collection for me. With only a couple of exceptions, she feels no need to add her own lyrics or poetry. Considering her own talent in this area, her omission is telling.
Take it for what it is - a bedroom slippers, glass of cognac, late night CD of memories, reminders, and mile posts of one person's life in rock & roll. Who would make up your Twelve?
Dust off your vinyl & feed your head
Three stars plus an addendum.
12 tracks
