Peter, Paul and Mary

by

Peter, Paul & Mary

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How many forty-year old albums do you still listen to? Probably not too many, but this should be one of them (it certainly is one of mine). For a young group on their first album, this was meticulously produced and already showed their incredible sense of professionalism. From their close harmonies to tightly interleaved guitar picking, each song radiates perfectionism. Mary's voice is a lilting bird reaching above Peter's tenor and Paul's bass, adding brilliant highlights and enforcing the sense that these songs just couldn't be sung any better.

Probably anyone who was alive at the time of this album's release still remembers If I Had a Hammer and Lemon Tree, the two top hits from this album. But over the years I have found that my own personal favorites are Cruel War, which already showed some of the group's dedication to anti-war and other political messages, as highlighted by the Civil War age of this song; Autumn to May, which showed another prime marker of the group of children's songs sung so beautifully that they are difficult to dismiss; and Where Have All the Flowers Gone, which perhaps might be called the ultimate anti-war song.

But the other tracks here have power also. (Man of Constant) Sorrow, as re-written and performed here, reaches beyond its Appalachian roots to touch your soul, 500 miles is haunting with Mary as lead soloist, This Train and Early Morning show the third trademark of this group, their deep religious feelings, and Bamboo shows just what they can do with a very simple song.

In short, this album is a must for all lovers of folk or pop-folk music, with every track offering something to immerse yourself in and enjoy.

--- Reviewed by Patrick Shepherd (hyperpat)