The Dark Side of the Moon

by

Pink Floyd

Edit

This new remaster of Dark Side of the Moon is a wonderful sonic treat. The subtle sound effects and rich tapestry of sound is now surrounding you in DSD 5.1 glory (if you have an SACD player) and the clarity is outstanding. I read where they went back to some original "un-pre-mixed" tracks that hanever been heard "first-generation" by any of us before. Very nice...

...BUT...

I have a few beefs, some minor, some major.

1. The song breaks are in the wrong places. Generally they take you not to the next track, but a few seconds before the real song break takes place. It's REAL aggravating. Oops...

2. The mix seems to me to be subtly different from what I'm used to (I never had the 92 remaster, only the original LP and CD releases) and in some cases, I'm afraid it's noticably different (inferior?) Most notably is "Great Gig in the Sky" where the wonderful vocal solo is relegated to the background, fighting for attention with the organ. This is somewhat mitigated by the surround mix, but on a standard CD player it was noticable, and a little irritating. Since I do a lot of listening in the car, I'm just not sure I wouldn't prefer the original CD to this there. Or I guess I could just burn the old vinyl copy onto CD (see below)

3. I'm sorry, but the title of this album is "Dark Side of the Moon", not "THE Dark Side of the Moon" as it says on the spine of this reissue. Serious proofreading error, imho. Maybe it's intentional, to distinguish?

4. Nice new cover art, but the original was perfect. I wish that the book had been reversible, so you could have the original cover image. (btw, I didn't like the change they made in 92 either) I know it's nitpicking, but back in the days when album art was 12" square it wouldn't have been.

Ultimately, it's worth getting if you're a fan of the album, and if you're not a fan of the album...what is your problem? But to my ears, as a CD, this does not surpass the High-quality Vinyl Original Master Recording from Mobile Fidelity that I listened to in the 80s (on a really good turntable and stereo). Unless of course, you must have surround. And if you must, you MUST hear this. The 5.1 mix is exhilirating, and not as obnoxious and "un-musical" as others I've heard. I give it 4 stars, because the SACD portion definitely gets 5, and the CD gets about 3, so I split the difference.

Being a Pink Floyd fan, I have purchased every version of this album since it was released 30 years ago.

By far the best version is the SQ Quadraphonic LP version, but as far as the stereo mix goes, the original UK Harvest CD (made in Japan) is still the high point.

Ten years ago, the fine engineer Doug Sax made a valiant effort, but it is clear listening to that XXth Aniversary Edition CD that the original tapes no longer have the same dynamics they originally had (magnetic analog storage slowly loses it quality).

Nevertheless, I decided to give this new 30th Anniversary CD a try. I should mention here that this is only a review of the standard stereo tracks - I don't yet have an SACD-capable player.

However this release doesn't make me want to run out and buy one. My worst fears have been realized as once again, the overall mix of the album has been lost in favor of "resolving power", ie the ability to hear little details. The problem is that after applying techniques to bring out such details, the engineers have done nothing to restore the original mix of the album.

The result is like a starving artist's copy of a Rembrandt painting - it sounds something like Dark Side of the Moon, but when you hear the real thing, you realize that it is only a faded imitation.

The problem is that few people these days have access to what it actually sounds like. Almost no one listens to their LP versions, and only a handful of people are lucky enough to own the original UK Harvest CD. Furthermore, it seems clear that the engineers of this 30th Anniversary Edition haven't listened to the original, either.

Interestingly, the original engineer, Alan Parsons, asked to be involved in this 30th Anniversary Edition project, but was shut out. It would seem that future listeners suffer as a result.

PS My qualifications: I am a California state certified Studio Recording Engineer. One of my instructors was the original engineer for the drum recordings for "Dark Side of the Moon". I compared the 30th Anniversary Edition, XXth Anniversary Edition, and UK Harvest CDs using AKG K240 Studio Monitor headphones (as used in many studio recording situations over the past 20-30 years).