Reel Big Fish's fifth studio album is mostly good, and even features some further "Cheer Up"-type tweaks to their sound and forays into different genres - - here they even give disco a shot - - but has a couple of tracks that are utterly uneccessary and hard to enjoy.
Overall, from track one, "The Fire," through track 13, "Say Goodbye," (the last track is pretty much a joke song, but an enjoyable one) most songs on this album stick to a few central ideas -- that Reel Big Fish frontman Aaron Barrett is tired of being in his band, that he feels they are a failure, and that he sees no real benefit to making music -- and express them through hooky, upbeat ska/rock/pop. That's why it's so confusing that track 2 is a song called "Drinkin'" that has to be the worst song Reel Big Fish has ever recorded. It sounds like a bunch of seventh graders wrote it using a "how to start a ska band" manual. Aaron's singing in it is grating, the lyrics are infuriatingly stupid ("If I go out drinking/then I can stop thinking"), and the horn line is about three notes. The nifty lead guitar riff at the beginning can't save this one. Also not needed on the album, but much better as stand-alone listening experiences, are two covers: Social Distortion's "Story of My Life," which would make a great b-side but sounds out of place here, and Tracy Chapman's "Revolution," which is enjoyable on one hand but utterly disrespectful to the heartfelt original on the other.
Fortunately, the rest of this album picks up where Reel Big Fish left off. "The Fire" is a ska song that should keep fans who found the last album less dancable happy, yet it still features two guitar tracks and a crunchy main guitar riff under the horn line that keeps up the "WDTRSH" and "Cheer Up" rock vibe going. "Don't Start A Band," while it could use a little more instrumental variety, is a fun little rocking mini-epic featuring dueling vocals by Aaron and backup singer Scott and explaining why every kid in his garage trying to start a ska band should just "give up now."
Track four, "A-W-E-S-O-M-E", may be the highlight of the album. It's only Reel Big Fish's second happy song. Apparently about the singer's new wife, it puts the phrases "You're everything I want in a girl" and "You're filled with hate" in the same thought, and does so over music that sounds like Huey Lewis and the News on speed. Wonderful!
Other great moments: the cover of Morrisey's "We Hate it When Our Friends Become Successful," where unlike the other covers, RBF seems to "get it" even more than the original; "The Joke's On Me," a catchy new-wave song with a synthesizer that declares "life's a joke and the joke's on me"; "Last Show," a disco-punk -- yes, disco-punk -- song that joyfully imagines the end of Reel Big Fish while perhaps also bashing a former member; and "Say Goodbye," which sounds like it could be on second album TTRO, except for the slightly 80s-sounding guitars.
11/14 tracks on this CD are exceptional, and it is a nice touch that keyboards (organ or synth) are used on every track. This band has always put depressing lyrics over peppy music, but there is something about this effort that sounds even more bitter and truly ready to give up. If they decide not to release another album, this is not a bad way to go out.