East Side Story

by

Squeeze

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"East Side Story" is the greatest album of Squeeze's long, distinguished career. It was their fourth album, and they were on an amazing trajectory, with each album revealing growing craftsmanship and confidence, culminating in this masterpiece in 1981. Difford's wry lyrics remained fascinating, but it was Tilbrook's growth as the music-writing half of the team that was leading them into astounding new realms of creativity. He seemed to be able to absorb all musical styles and spit them out in wildly diverse gem after gem. The songs were becoming ever more melodically complex, but without sacrificing the catchiness that it essential to this sort of pop music. (On later albums he would sometimes be guilty of going too far with the melodic complexity, but no sign of that yet in 1981). In addition, Tilbrook had blossomed into a wonderful vocalist, and his guitar leads had become models of dazzling efficiency. (I defy anyone to name a more exquisitely consise guitar solo than the 12-second masterpiece in the middle of "In Quintessence".) New keyboardist Paul Carrack (of pub-rockers Ace and "How Long" fame) is a smoother fit for Difford and Tilbrook than his predecessor Jools Holland, and his lead vocal showcase, "Tempted", became Squeeze's biggest hit to date. Among the other highlights: the achingly lovely ballad "Labelled With Love", here given a gentle country treatment, but you could just as easily imagine this song sung by a crooner like Sinatra or Tony Bennett (assuming the crooner could pull off Difford's lyrics); the rockabilly "Messed Around", which sounds like it's straight out of Elvis' Sun Sessions; the more typical Squeeze pop-rock gems "Is That Love", "Someone Else's Bell", and of course "In Quintessence"; and the amazing "Mumbo Jumbo", wherein Tilbrook combines 3 or 4 great melodies into a single three-minute classic. Elsewhere there are Beatles-inspired orchestrations and dark sonic experiments. Squeeze hit their peak here, and their albums of the past 20 years have often come close to the heights reached on "East Side Story", without ever topping it. This album is an absolute must-own for any Squeeze fan.

The domestic Squeeze catalog has never received the courtesy of being brought properly into the digital world by the odious conglomerate that is Universal Music USA.

This travesty is the old LP-EQ'd master from the original vinyl album release, and it sucks mightily.

There are two import CD's with far better audio of this great album:

The 1998 UK remaster, which also has two bonus tracks, and the 2007 Japan mini-sleeve remaster, which contains four additional tracks.

I mention both because the '98 UK import is still in print, readily available, and the less expensive of the two. The '07 'sleeve edition, while available as of this writing, is, as all Japan mini-sleeve CD's are, a limited-edition, and will probably sell out quickly.

So, if you are considering buying the '07 'sleeve CD, don't hesitate, because as "East Side Story" is the jewel in the Squeeze catalog, it will certainly be gone in the near future.

FYI: On 4/25/07, an eight-album, newly remastered Squeeze catalog mini-sleeve release ("Squeeze", "Cool for Cats", "Argybargy", "East Side Story", "Sweets From A Stranger", "Cosi Fan Tutti Frutti", "Babylon And On", and "Frank") was issued, all of which, again, are limited editions.

WHAT IS A JAPAN "MINI-LP-SLEEVE" CD?

Have you ever lamented the loss of one of the 20th Century's great art forms, the 12" vinyl LP jacket? Then "mini-LP-sleeve" CD's may be for you.

Mini-sleeve CDs are manufactured in Japan under license. The disc is packaged inside a 135MM X 135MM cardboard precision-miniature replica of the original classic vinyl-LP album. Also, anything contained in the original LP, such as gatefolds, booklets, lyric sheets, posters, printed LP sleeves, stickers, embosses, special LP cover paper/inks/textures and/or die cuts, are precisely replicated and included. An English-language lyric sheet is always included, even if the original LP did not have printed lyrics.

Then, there's the sonic quality: Often (but not always), mini-sleeves have dedicated remastering (20-Bit, 24-Bit, DSD, K2/K2HD, and/or HDCD), and can often (but not always) be superior to the audio on the same title anywhere else in the world. There also may be bonus tracks unavailable elsewhere.

Each Japan mini-sleeve has an "obi" ("oh-bee"), a removable Japan-language promotional strip. The obi lists the Japan street date of that particular release, the catalog number, the mastering info, and often the original album's release date. Bonus tracks are only listed on the obi, maintaining the integrity of the original LP artwork. The obi's are collectable, and should not be discarded.

All mini-sleeve releases are limited edition, but re-pressings/re-issues are becoming more common (again, not always). The enthusiasm of mini-sleeve collecting must be tempered, however, with avoiding fake mini-sleeves manufactured in Russia and distributed throughout the world, primarily on eBay. They are inferior in quality, worthless in collectable value, a total waste of money, and should be avoided at all costs.