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The Flaming Lips

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Formed:
1983, over 29 years ago.
Snapshot:
A Group with 57 releases, and credited 3 times on others' music. 10 members.

Biography

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The Flaming Lips came from Oklahoma City, emerging in 1983 with their strange sound almost fully formed. Since then, the Flaming Lips have come under the almost singular leadership of singer Wayne Coyne and done magical things with alternative rock. In the early 1990s they made a commercial splash with "She Don't Use Jelly," showing the world their madcap pretzelling of pop music - a tumultuous tangle of guitars, bristling melodies, and oddball lyrics. Since then, The Soft Bulletin attempted a 90s version of Pet Sounds and largely succeeded, becoming one of the most acclaimed albums of the decade in its last few months. Yoshimi Battles the Pink Robots (2002) was widely praised too, and eventually became a gold-seller: their biggest commercial success, two decades and 10 albums after they started. The Lips are also famous for their live performances, which often feature giant plastic balls, furry animal suits, hand puppets, videos, light-shows and truckloads of confetti.

Music

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Genres

Alternative Rock, Dream Pop, Indie, Rock, Experimental, Neo-Psychedelia, Pop, Power Pop, Space Rock. Vote on Genres

Members

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Michael Ivins

current & founder member
  • bass, keyboards, backing vocals:
    • 1983-

Wayne Coyne

current & founder member
  • lead vocals, guitar, keyboards:
    • 1983-

Steven Drozd

current member
  • guitar, lead vocals, keyboards, bass, backing vocals:
    • 1991-

Kliph Scurlock

current member
  • drums, percussion:
    • 1999-

Ronald Jones

  • guitar:
    • 1991-1996

Jonathan Donahue

  • guitar:
    • 1988-1991

Nathan Roberts

  • drums:
    • 1988-1991

Richard English

  • drums, vocals, piano:
    • 1984-1988

Mark Coyne

founder member
  • vocals:
    • 1983-1985

Dave Kostka

founder member
  • drums:
    • 1983-1984

In the News

( 4 stories between 7th March 2009 and 9th February 2011 )

The Elusive Sasquatch Comes Out of Hiding

Feb, 9 2011

Though it may still officially be winter, it is starting to feel a bit like spring as an increasing number of music festivals announce their 2011 lineups. This week brings us the announcement for the 10th annual Sasquatch! Festival located in Washington State at the breathtaking Gorge Amphitheatre. Sasquatch! caters to up and coming indie and electro acts, as well as those bands that established the genres. Out of the 92 acts, there’s an emphasis on Pacific Northwest artists, and there’s a comedy tent, which is sweet, ‘cause we love funny stuff. The festival sells out every year, with 50K music lovers making the pilgrimage to the center of the state; the small town of George, WA on the Columbia River. Headliners include Foo Fighters on the heels of a new album, WA acts Death Cab for Cutie and Modest Mouse. Indie granddaddies Wilco will make an appearance, as will Rodrogo Y Gabriela and The Flaming Lips, both back for their second go-round (in 2008 The Lips brought their UFO show and it was bananas). Portland, Oregon’s Decemberists and Bright Eyes, as well as Ireland’s folk punksters Flogging Molly are all coming to the party, too. Even Canadians Death from Above 1979 are reforming and descending from the Great White North. The emphasis on electro-rock excites us and there are a lot of acts about which we are pumped. Swedish muse Robyn, DJ genre-blurer Bassnectar, and duos Ratatat, MSTRKRFT and Chromeo have us all a-twitter. On the groove- side is Seattle’s own Wheedle’s Groove band, funkateers of the highest caliber from 1965-1975, as well as vocal powerhouse, Ms. Sharon Jones and the Dap Kings. -Court

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Flaming Lips All Fired Up in 2011

Jan, 5 2011

Flaming Lips frontman Wayne Coyne recently told Rolling Stone that the Oklahoma trio will soon hit the studio and plans to release new songs every month in 2011. It can be a challenge to keep fans engaged; providing a new track each month, augmented by video of the writing and recording process, provides rare insight into any band’s psyche. "We’re going to spend a lot of time recording at our houses or wherever we are at. We'll try to release a song a month and document the song in the making, whether it takes us three or five days or a week," Coyne explained. "Not that I think the old way was boring, but to spend another two years with the same 13 songs, it's just like f**k!! Once we get 11 or 12 songs together, maybe we'll do something else with it. We want to try to live through our music as we create it, instead of it being a collection of the last couple years of our lives," he said. "We'll be making these little videos that connect in the end to a bigger movie we'll be making next year as well. It sounds like a bunch of f**king work, but it’s a different way of thinking about songs than just holing up." On New Year's Eve, the Flaming Lips brought their one-of-a-kind psychedelic live show to Oklahoma City's Convention Center for an iClips webcast of their 1999 disarmingly beautiful classic, The Soft Bulletin, in its entirety. -Court

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Now, A Classic Pink Floyd Album By The Flaming Lips

Dec, 2 2009

There's been a trend in recent years of touring artists -- often reunited bands -- playing their supposedly greatest album in full at special gigs, such as Bruce Springsteen performing Born To Run or Darkness On The Edge Of Town, Pixies performing Doolittle, or Wu-Tang's GZA performing Liquid Swords in full. But did you ever hear of an artist promising to play another band's classic album in full at a gig? The Flaming Lips say they will perform Pink Floyd's 1973 opus Dark Side Of The Moon as soon as the clock strikes 2010 during their New Year's Eve show at Oklahoma City’s Cox Center. The Lips have already been in the studio learning the songs, and they even hope to release a studio recording of their version as an iTunes-only tribute. According to Rolling Stone, this won't be the first time that this particular album has been chosen for such a treatment: Phish played it in full in West Valley, Utah, in November 1998. Dark Side is one of the biggest selling albums in rock history; and, clearly, one of the most influential too.

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