I have been a Tortoise fan since the late 90s, but never as committed as I have been since Standards was released. I approached It's All Around You with caution because I anticipated disappointment. At first, I agreed with all of the reviews that I had read. The album seemed to merely exist as another Tortoise album with no movement forward.
While I must admit that this is not a giant leap from Standards in terms of a cohesive album, it is the better of the two albums, in my opinion. Namely because of the climax that this album reaches. Standards almost appears to front load the best ideas while It's All Around You saves the best for last.
The first track threw me off because it is easy to dismiss it as close to random instrumentation with a solid (slightly simple) bass track. But it is so much more. Upon a couple of repeated listens, that song, like the rest of the album, revealed much more structural ingenuity. The multiple instruments that take part in the melody bounce off of one another and it becomes difficult to tell when a guitar ends and a vibraphone picks up. But the instruments are not to be observed seperately. Listening to how they compliment each other and form a beautiful melodic series is devestatingly brilliant. I posit that the first song sounds unlike anything that Tortoise has done before.
The entire album is phenomenal, but I would like to highlight the last song. This is where I really believe this album shines the most. Never before have I heard a band capture increasing intensity in a drum performance so well on tape. The song builds and builds and the instrumentation perfectly compliments the drums throughout this climactic process.
I hear far too often that this album is more of the same. If the same means being a mind-blowingly awesome band time after time, I hope that they don't change a thing.