State of Confusion

by

The Kinks

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One thing that I greatly admire about Ray Davies - lead singer of The Kinks is that when it comes the music business, he isn't afraid to deviate from the formula. As a result of this, the Kinks became one of the most innovative bands of the Rock era. This is demonstrated on their 1983 landmark album "State of Confusion". This album would mark the peak of the comeback started by the Kinks in the late 1970s. On "State of Confusion" we would see Ray Davies integrate a combination of personal anguish (as a result of a broken marriage) and social commentary into the lyrics along with a potpourri of musical styles. The result would be an outstanding collection of tracks that stand the test of time.

There are really three phases to The Kinks. The Kinks started out in the 1960s as a "rebellious" group of rockers as part of the first British Invasion that would soon have a series of hits. I call this phase - "1960s Kinks". This phase goes from 1964-1971. "1960s Kinks" was a commercially successful period. Although this wasn't Punk Rock, many credit the style of the Kinks for becoming the strawman for the Punk Rock movement that would happen in the 1970s. It was during this period The Kinks were mysteriously banned from playing in the U.S.. The second phase is the "Rock Opera Phase" from 1972 to 1976. This was not a commercially successful phase for the Kinks. These concept/Rock Opera albums were not well received by the public, but eventually would be accepted by The Kinks fans. When the group made the switch to Arista Records, The Kinks went toward more of a Hard Rock/Rock Pop direction. This would start the third phase called "The Later Years" covering 1977 onward. There is a bunch of irony in this switch. The Kinks lost much of their popularity in the UK because this new style wasn't considered "in-step" with the UK's Punk Rock craze. However, The Kinks would suddenly become a major band in the U.S. - the very country where they were once banned from. During this time, even though The Kinks went in the Hard Rock direction, they showed that they could continue to ignore the "rulebook" for the music business by not going with the trends of that time (and basically doing things their own way).

Here is a review track by track:

"State of Confusion": The title of this song tells the story - it is someone who is in a "State of Confusion". The song has a hard-rock quality characteristic of the latter years of the Kinks. It also has an outstanding mantra quality to it. Listen to Davies integrate his own anguish when he sings "Should feel happy, should be glad. I'm alive and it can't bad."

"Definite Maybe": Jim Rodford's bass helps set the tone of this track very nicely while Mick Avory's drums are awesome throughout. This song has a new-wave quality to it. The title of this song "definite maybe" extends the theme of "State of Confusion". Great social commentary about the indecisiveness in society (and some nice humor when a computer indicates that Davies doesn't exist).

"Labour of Love": Pure commentary on marriage by Davies. Ray and Dave Davies provide some outstanding guitar in a dark Hendrix-sounding sample of "Here comes the bride."

"Come Dancing": This retro sounding song helped make this song radio-friendly for mainstream radio. This song has Ray Davies looking back to his childhood days. This song gives Ian Gibbons a chance to shine on keyboards.

"Property": This song is about breakup and divorce. No doubt a reflection of Ray Davies own personal life. This is a slow song that will grow on you.

"Don't Forget to Dance": This song shows Ray Davies with a Bryan Ferry-like crooning quality. This continues to tell more of Ray Davies personal anguish even though Davies sings this song as the one giving the "advice".

"Young Conservatives": A social commentary on the younger generation of the 1980s contrasted to the rebel days of the late 60s and early 70s.. Davies starts the song by saying "Have you heard, the revolution is over" and later says "Revolution used to be cool, now it's out of fashion". This song combines hard rock and punk elements.

"Heart of Gold": The Davies brothers shine on guitar again on this track. Davies explores the trials and tribulations of a girl growing up - yet she still has a "Heart of Gold". The bridge of "I couldn't understand your attitude..." is outstanding.

"Clichés of the World (B Movie)": This might be the album's forgotten gem. Great guitar intro to this song - and that continues throughout Davies compares those trite and overused things in life to a "B" movie.

"Bernadette": Dave Davies provides lead vocals on this track. The theme of brother Ray's personal anguish is evident as he sings "I don't want to leave you payin' all my debts; With that alimony, palimony, whatever it is you get". Almost reminds you of the Beatles' "Birthday" combined with some punk elements.

There are also four bonus tracks - all of which are outstanding. This includes an extended version of "Don't Forget to Dance". There is an unreleased track called "Once a Thief" that has a 60s beat to it - very catchy chorus. "Long Distance" and "Noise" are two songs that were released on a cassette version. "Long Distance" is a slow song that has Davies telling the story of being on the road in Australia. "Noise" combines retro-sounding rock elements with 80s hard rock elements - a terrific song.

The liner notes include lyrics to the original 10 songs and a write-up by Matt Resnicoff that tells the story of the Kinks during the "State of Confusion" period. All in all, this is an outstanding collection and truly a crown jewel in the Kinks' portfolio. Highly recommended.